It's worth noting for this chapter Alberto Ponticelli is joined by inker Walden Wong, Ponticelli's style is heavy and sketchy, well matched to a book that features Frankenstein and all manner of other beasties. When I took a peek inside the cover, prior to settling in for my review, I noticed that the art in this issue is dramatically different than it has been in the series so far. By breaking the group down into couplings, Lemire is able to highlight and showcase personalities to great effect. Faced with snarling menaces, Lady Frankenstein and Nina Mazursky each react differently and set the tone for the wonderful Justice League-type pairings that continue through this entire comic book.
None of these characters are typecast, which is quite enlightening. Through it all, Lemire writes some of the most divergent personalities of any comic currently being published. There have been plenty of subplots and promised story ideas floating around since this series began and Lemire addresses a couple of those in this comic. Lemire's second-to-last issue, gives the writer a chance to play with all of those toys one last time and to remind readers just how amusing these concepts can be.
liaison Ray Palmer, have become as much a critical piece of this series as any of the characters who follow Frankenstein into battle. The city and support staff, including U.N. City and filled it with wild concepts like the Zoo, a prison for scientific experiments gone horribly wrong and the Pit, a manufacturing facility for the aforementioned Humanids.
Lemire has taken the microcosm of S.H.A.D.E.
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